“Working from Home features new commissions from five artists––Miguel Fernández de Castro, Nazafarin Lotfi, Mark McKnight, Nicole Miller, and Rocki Swiderski––and two poets––Dot Devota and Raquel Gutiérrez––who are all connected to Tucson and the surrounding bi-national region. Each contributor has a unique perspective on this moment of pandemic and protest as well as on the local landscape by virtue of currently or recently living, working, or quarantining in the area. The premise of the exhibition is centered on directly supporting the creation of new objects and ideas as well as underscoring the essential work artists and poets perform, especially during moments of social and cultural crisis.
Altogether, the diverse works in the show speak to the present in profound and varied ways. While the exhibition is not explicitly thematic, there are many overlapping strategies, subjects, and ideas present in the artworks––forming an organic network of interconnection and meaning. New work produced by these notable artists, in this particular time and place, creates a rich ground for viewers to contemplate the many complex issues that mark our moment.
Working from Home is organized by MOCA Interim Director and Curator Laura Copelin with support from Wylwyn Reyes, Morah Riedl, and Wesley Creigh.”
Installation view, MoCA Tucson, 2020
Installation view, MoCA Tucson, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 84 x 60 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 60 x 84 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 60 x 84 inches, 2020
Untitled (Light Falls), Cyanotype on cotton sateen, 60 x 84 inches, 2020
Mark Armijo McKnight (b. Los Angeles, CA) is an artist whose work has been exhibited internationally and written about in The New Yorker, the Los Angeles Times, Interview, GQ, Aperture, Art in America, Frieze, Artforum, The Brooklyn Rail, Mousse, and BOMB, among others. His work is held in the collections of the Victoria and Albert Museum, the J. Paul Getty Museum, the Los Angeles County Museum of Art, ICA Miami, the Carnegie Museum of Art, the Whitney Museum of American Art, the Henry Art Gallery, and the Columbus Museum of Art.
His first monograph, Heaven Is a Prison, was published in 2020, followed by Posthume, published by TBW Books in 2025. Armijo McKnight is a Fulbright Scholar and the recipient of the 2019 Aperture Portfolio Prize, the 2020 Light Work Photo Book Award, a 2020 Rema Hort Mann Emerging Artist Grant, and a 2023–24 Guggenheim Fellowship.
He is Assistant Professor of Expanded Photography at Rutgers University.
Represented by Klaus von Nichtssagend (New York)
Posthume (2025) published by TBW Books
Heaven is a Prison (2020) published by Loose Joints