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Organized by Mark McKnight

November 19, 2022 — January 7, 2023

Featuring works by Etel Adnan, CAConrad, Moyra Davey, Demian DinéYazhi’, Shannon Ebner, John Giorno, Otis Houston Jr., Jibade-Khalil Huffman, Félix González-Torres, The Song Cave, and Cecilia Vicuña.

Opening reception: Saturday, November 19, 4 – 6 PM

From Mark McKnight

To the viewer:

In her collected lectures, Madness, Rack, and Honey, poet Mary Ruefle suggests that we might think of a life as one long sentence, separated by an infinite number of semicolons. She asks us to be grateful for the unsung punctuation’s conjunctive power: “it allows us to keep connecting speech that for all apparent purposes are unrelated.” Going further, she adds: “you might say a poem is a semicolon… keeping together that whose nature is to fly apart.” Ruefle in mind, we might also think of the poet themselves (or for our purposes: the poetically minded artist and/or: the collected works on view) on such terms – connective tissue between seemingly unrelated experiences that give life substance. Apropos of my elusive subject, I offer no official thesis or instruction – only enthusiasm for these artists and gratitude for the gift that is poetry in its myriad forms. ; is an exhibition that includes artists who work with, towards, and through poems, poets or “the poetic.” I selected this diverse array of makers because of their relationship to poetry either in spirit, or in the literal sense, and because I desired to see their work in constellation under poetry’s umbrella. It is a celebration of these artists, their work, and their significance to me as an individual, while also as an attempt to complicate the rigid semantic distinctions placed upon arranged language or objects as either “poems” or “artworks.”

This exhibition is an invitation to think poetically, or as the great Hannah Arendt suggests: “without a banister.”
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Respectfully yours,

Mark McKnight

October 19, 2022

Still from Cecilia Vicuña, What is Poetry to you?, 1980, color, sound, 16 mm film on video, Spanish with English subtitles, TRT: 00:23:20

John Giorno, Dial-A-Poem, 1968

Felix Gonzalez Torres, Untitled (Orpheus, Twice), 1991, Two mirrors

Installation view. Left to right: Song Cave Selected catalog, John Giorno

Selected Catalog from The Song Cave, 2013-2022, Books of Poetry by various authors

Selected Catalog from The Song Cave, 2013-2022, Books of Poetry by various authors

Selected Catalog from The Song Cave, 2013-2022, Books of Poetry by various authors

Demian DinéYazhi', My Country ('tis of thy people you're) Dying, 2020, Fiber Art, 132 x 36 inches

detail of Demian DinéYazhi', My Country ('tis of thy people you're) Dying, 2020, Fiber Art, 132 x 36 inches

CAConrad, Memories of Why I Stopped Being a Man, 2021, Inkjet Print on Chiffon, 84 x 58 inches

Detail of CAConrad, Memories of Why I Stopped Being a Man, 2021, Inkjet Print on Chiffon, 84 x 58 inches

Etel Adnan, Untitled, 2010, Oil on canvas

Etel Adnan, Untitled, 2010, Oil on canvas

Shannon Ebner, Primer, 2013, Epson print, 72 x 38 inches

Shannon Ebner, SNOW DRIFT'R, 2022, Archival pigment print mounted on aluminum, 21 ³⁄₄ x 14 ³⁄₄" x 1 ⁵⁄₈ inches

Installation View. Left: Otis Houston Jr. Right: Moyra Davey, Jibade-Khalil Huffman, Cecila Vicuña

Installation view: Cecilia Vicuña, What is Poetry to you?, 1980, color, sound, 16 mm film on video, Spanish with English subtitles, TRT: 00:23:20

Still from Moyra Davey, i confess, 2019, HDV, sound, TRT: 00:54:46

Still from Jibade-Khalil Huffman, Zero, 2020, Single channel video, color, sound, TRT: 1:12:25

Installation view: Otis Houston Jr., All works spray paint on towel, 25 x 43 inches, 2022

Installation view: Otis Houston Jr., All works spray paint on towel, 25 x 43 inches, 2022

Mark Armijo McKnight (b. Los Angeles, CA) is an artist whose work has been exhibited internationally and written about in The New Yorker, the Los Angeles Times, Interview, GQ, Aperture, Art in America, Frieze, Artforum, The Brooklyn Rail, Mousse, and BOMB, among others. His work is held in the collections of the Victoria and Albert Museum, the J. Paul Getty Museum, the Los Angeles County Museum of Art, ICA Miami, the Carnegie Museum of Art, the Whitney Museum of American Art, the Henry Art Gallery, and the Columbus Museum of Art.

His first monograph, Heaven Is a Prison, was published in 2020, followed by Posthume, published by TBW Books in 2025. Armijo McKnight is a Fulbright Scholar and the recipient of the 2019 Aperture Portfolio Prize, the 2020 Light Work Photo Book Award, a 2020 Rema Hort Mann Emerging Artist Grant, and a 2023–24 Guggenheim Fellowship.

He is Assistant Professor of Expanded Photography at Rutgers University.

markwmcknight@gmail.com

Represented by Klaus von Nichtssagend (New York)

Posthume (2025) published by TBW Books

Heaven is a Prison (2020) published by Loose Joints